As stoked as I was over the past year for Prometheus to come out, upon actually seeing it I felt like I was duped.
This is not to say that the story wasn't incredible, that it wasn't brilliantly directed by Ridley Scott and that it held not entertainment value whatsoever. Because it did, on all counts.
On the surface, Prometheus tells the story of a crew of scientists who discover a series of cave paintings that span millenia and continents, but each painting tells the same story. A story of giant men pointing to a far away galaxy. [SPOILER]It turns out the paintings are a map and an invitation to come and see where the genesis of man began.[/SPOILER]
So a team of scientists, funded by a private corporation (cue social commentary), head off to the distant planet and discover, upon getting there, that things are not what they seem and that something far more nefarious is at play than what they expected.
The rest of the film plays out in Scotts signature slow-burn fashion, culminating in a visceral descent into chaos and madness.
Where the film ultimately lets the viewer down is in the "is it or isn't it" an "ALIEN" prequel.
Even after watching the film, the answer is not quite clear.
Yes, it does take place in the ALIEN universe,[SPOILER] the crew lands on the very planet where Lt. Ripley and the crew of the Nostromo would eventually land, and[/SPOILER] there are hints of Xenomorph DNA spread throughout the screenplay.
But in the end, it seems like the script was never intended to be an "ALIEN" film in any form or fashion and that bits and pieces were tweaked to fit into the universe. Replace any sinister corporation with Weyland Enterprises, make any race of intelligent beings a "Space Jockey", have any random planet changed to an LV planet.
So in the end we are left with a stand-alone film with some "ALIEN" DNA peppered throughout.
The cast is exceptional, even the scenery chewing Charlize Theron manages to make a cold and calculating corporate drone seem more human. And speaking of seeming more human, there is of course the ever-present synthetic life form, this time named David and played with a dissociative disorder type personality by Michael Fassbender. He is clearly an android programmed to do one thing while harboring an almost human desire to do the opposite. Help or harm is the morality play he faces.
Noomi Rapace fills the shoes of the universe's strong female character who will undoubtedly become the next Lt. Ripley as she faces off against unforseen threats. Just as Ripley progressed from sure but timid to fight-for-your-life hero in the span of "ALIEN" so does Rapace in "Prometheus" including a arm rest clenching scene that defines the length the character will go in order to survive.
The one thing that is missing from this film is the quiet and unsettling moments that made "ALIEN" so damn scary. Say what you want, but "ALIEN" was a horror movie in space, it was not a sci-fi film. There was a sense of dread coupled with the fact that the crew was isolated and trapped in a ship adrift in space with something that wanted them dead.
"Prometheus" has expansive open sets, we are never left feeling that they don't have the opportunity to survive.
Clearly, there were two forces working on one script. Ridley Scott who wanted to return to his sci-fi roots and a studio/financier who saw an opportunity to relaunch a franchise. The end result is sort of a cop out as evidenced by a pathetic attempt to answer the "Is it or isn't it" question. In doing so they answer it definitively but alter the source material ever so slightly.
Still, "Prometheus" is a tense thriller and Ridley Scott shows that he can still deliver the sci-fi goods.
In the end, the film leaves us with unanswered questions and the start of a new franchise.
This post was last modified: 06-12-2012, 10:14 AM by Tony H.
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