KONG!
In addition to the remastering from a pristine print, the bonus features alone are worth the price of the whole set. PETER JACKSON HAS RECREATED THE LONG-LOST SPIDER SEQUENCE!!!
AIIIIEEEE!
(Can you tell I'm just a little bit excited? Back in the 50s my brother and I watched a heavily edited version of King Kong 11 times in one week when it was in continuous rotation on WOR's Million Dollar Movie. I loooooove this movie.)
http://www.amazon.com/gp/product/B00003C...8&v=glance
In addition to the remastering from a pristine print, the bonus features alone are worth the price of the whole set. PETER JACKSON HAS RECREATED THE LONG-LOST SPIDER SEQUENCE!!!
AIIIIEEEE!
(Can you tell I'm just a little bit excited? Back in the 50s my brother and I watched a heavily edited version of King Kong 11 times in one week when it was in continuous rotation on WOR's Million Dollar Movie. I loooooove this movie.)
http://www.amazon.com/gp/product/B00003C...8&v=glance
FPW
FAQ
"It means 'Ask the next question.' Ask the next question, and the one that follows that, and the one that follows that. It's the symbol of everything humanity has ever created." Theodore Sturgeon.
this from ... somewhere.
Creepy Spider Scene On New DVD
November 10, 2005 -- AS if Peter Jackson weren't busy enough finishing his remake of "King Kong," due next month, he has found the time to painstakingly reconstruct a legendary lost sequence from the 1933 original.
Included as part of the copious extras on the Nov. 22 DVD debut of "King Kong" is Jackson's version of the famous "spider-pit" sequence, which co-director Merian C. Cooper cut from the 1933 classic before its release.
Cooper wrote in a memo that the sequence — which came after the scene where Kong shook four sailors off a log bridge and into a ravine — "stops the movie," and some historians believe he actually burned the footage, which was considered too horrific for 1930s audiences.
But a handful of photographs and sketches survive, along with the original script — and the sequence has become a Holy Grail for hard-core Kong fans.
These include Jackson, who had the clout and the backing of Warner Home Video to do his own version — using vintage stop-motion techniques to create black-and-white footage that is virtually indistinguishable from the original.
"Peter is obsessed with the missing spider-pit sequence," says fellow director Frank Darabont, who along with fellow Kong fanatic Rick Baker (who played King Kong in a suit of his own design in the 1976 remake) helped Jackson analyze the original script and how it could be translated to film in period style.
About 30 minutes of a new 140-minute documentary on the making of "King Kong" on the DVD are actually devoted to the production of the missing sequence.
This required constructing miniature models of creatures and sets and combining them — using archaic methods like rear-screen projection — with new live-action footage in which members of Jackson's Weta Workshop staff play members of Carl Denham's crew.
"I don't regard this sequence as serious historical archeology," Jackson says modestly. "Most of it is guesswork . . . us being King Kong fans."
The new footage is not integrated into the entire original film, but about three minutes of it is presented as part of a six-minute excerpt that includes footage from 1933.
The new scenes actually begin before the crew arrives at the log bridge.
We see, for the first time, that the terrified sailors are fleeing a styracosaurus, a dinosaur that ended up on the cutting-room floor in 1933. (Jackson owns the original model, which was used in "Mighty Joe Young," and it was X-rayed so a new puppet could be constructed and manipulated, frame by frame, by hand.)
After Kong shakes them off the log in old footage, the screaming crew members now ineffectually battle — and are consumed by
— a quintet of fearsome creatures.
These include a giant spider, a massive crab-like creature, a tentacled beast, a crocodile-like creature — and the giant lizard who appears in the original film slithering up from the ravine on a vine, which is cut by Jack Driscoll.
Even though the special effects (and the acting) are comparatively primitive and a little campy by contemporary standards, the new footage is surprisingly scary — a reverent homage that's very much of a piece with the original.
Jackson's crew even digitally manipulated Fay Wray's screams into the styracosaurus' mighty roars.
"I pray that someday that [original] footage will be discovered and we can compare it to what we've done," he says.
No word on whether there's a spider-pit sequence in Jackson's remake — but there will be plenty of other opportunities for comparison next month.
Creepy Spider Scene On New DVD
November 10, 2005 -- AS if Peter Jackson weren't busy enough finishing his remake of "King Kong," due next month, he has found the time to painstakingly reconstruct a legendary lost sequence from the 1933 original.
Included as part of the copious extras on the Nov. 22 DVD debut of "King Kong" is Jackson's version of the famous "spider-pit" sequence, which co-director Merian C. Cooper cut from the 1933 classic before its release.
Cooper wrote in a memo that the sequence — which came after the scene where Kong shook four sailors off a log bridge and into a ravine — "stops the movie," and some historians believe he actually burned the footage, which was considered too horrific for 1930s audiences.
But a handful of photographs and sketches survive, along with the original script — and the sequence has become a Holy Grail for hard-core Kong fans.
These include Jackson, who had the clout and the backing of Warner Home Video to do his own version — using vintage stop-motion techniques to create black-and-white footage that is virtually indistinguishable from the original.
"Peter is obsessed with the missing spider-pit sequence," says fellow director Frank Darabont, who along with fellow Kong fanatic Rick Baker (who played King Kong in a suit of his own design in the 1976 remake) helped Jackson analyze the original script and how it could be translated to film in period style.
About 30 minutes of a new 140-minute documentary on the making of "King Kong" on the DVD are actually devoted to the production of the missing sequence.
This required constructing miniature models of creatures and sets and combining them — using archaic methods like rear-screen projection — with new live-action footage in which members of Jackson's Weta Workshop staff play members of Carl Denham's crew.
"I don't regard this sequence as serious historical archeology," Jackson says modestly. "Most of it is guesswork . . . us being King Kong fans."
The new footage is not integrated into the entire original film, but about three minutes of it is presented as part of a six-minute excerpt that includes footage from 1933.
The new scenes actually begin before the crew arrives at the log bridge.
We see, for the first time, that the terrified sailors are fleeing a styracosaurus, a dinosaur that ended up on the cutting-room floor in 1933. (Jackson owns the original model, which was used in "Mighty Joe Young," and it was X-rayed so a new puppet could be constructed and manipulated, frame by frame, by hand.)
After Kong shakes them off the log in old footage, the screaming crew members now ineffectually battle — and are consumed by
— a quintet of fearsome creatures.
These include a giant spider, a massive crab-like creature, a tentacled beast, a crocodile-like creature — and the giant lizard who appears in the original film slithering up from the ravine on a vine, which is cut by Jack Driscoll.
Even though the special effects (and the acting) are comparatively primitive and a little campy by contemporary standards, the new footage is surprisingly scary — a reverent homage that's very much of a piece with the original.
Jackson's crew even digitally manipulated Fay Wray's screams into the styracosaurus' mighty roars.
"I pray that someday that [original] footage will be discovered and we can compare it to what we've done," he says.
No word on whether there's a spider-pit sequence in Jackson's remake — but there will be plenty of other opportunities for comparison next month.
FPW
FAQ
"It means 'Ask the next question.' Ask the next question, and the one that follows that, and the one that follows that. It's the symbol of everything humanity has ever created." Theodore Sturgeon.
fpw Wrote:... Back in the 50s my brother and I watched a heavily edited version of King Kong 11 times in one week when it was in continuous rotation on WOR's Million Dollar Movie....
Ooooh, Million Dollar Movie! I loved that show. My brothers and I watched Boris Karloff in "The Mummy" at least a dozen times in the week that it played.
Ahnksunamen....Ahnksunamen.... I can still hear that chant in my head.
Jackson's recreation of the missing footage in "Kong" sounds fantastic.
This post was last modified: 11-11-2005, 02:14 PM by Maggers.
Reading is freedom.
The mind soars, no earthly cares,
no limitations.
A Maggers Haiku, 2005
Years ago my mother used to say to me... "In this world, Elwood, you can be oh so smart or oh so pleasant."
Well, for years I was smart.
I recommend pleasant.
You may quote me.
Elwood P. Dowd